“In-Side-Out” is the debut film by US beat poet George Moorse, a wildly colorful pop poem. The film critic Enno Patalas described “In-Side-Out” as a “fantastic abracadabra and erotic delirium” and considered it the best West German film at the 1965 Oberhausen festival. “In-Side-Out” was also the LCB's first film production: the cheerful and colorful kaleidoscope of romantic love, told as an associatively swirling sequence of images.